A radio station with a lot of online sweepstakes and campaigns, has to constantly update or create a new look. With KCRW this happens at least once a month. This header is one of around 15 pieces I produce for the online campaign, including a flash banner.

Again I can’t help but use color. The image and background are a collection of muted tones and the key points are highlighted in primary colors.

This is my website for the past 4 years. It’s long overdue for an update, but I cut my teeth on a lot of different code building this, including a complete recoding from object based coding to timeline coding. I guess this site has taken the place of it to some degree. I love flash but sometimes it’s a little restrictive in ease of updating. I still tinker with it from time to time and will always use it as a code resource and a place to test new ideas.

This site is a good example of how I like to use color in a site to help with navigation.

This card was an extension of a large print and online campaign. I color coded different pieces of the campaign with changing background colors. This marks one of the final pieces and has a color from each of the different campaigns.

There are a lot of subtle enhancements to the card including a custom vector background, extensive retouching to the windows, outline and reflection of the car. I like this piece because it shows how one can massage a unique look over the period of a campaign.

This was a massive logo exploration trying to capture the feeling of a vodka print ad they had seen a few months before. Atlas Pictures was a commercial production company out of Santa Monica, California.

To create this logo I found some 1940’s clip art and adapted it to fit the film business theme. The client loved the logo so much it was printed on everything, and I mean everything.

This was a hard project to get my head around. This is a trade ad for a software company that designs custom software/applications for manufacturing companies, who need logistical and sourcing help.

The client really gravitated to this concept. It’s simple by design, as their solutions are custom and therefore too diverse to be captured in one concept. So we went with the trusty compass to guide you to your destination.

I created all the elements of this piece, the olympic ribbon was hand-made in Illustrator™ and the smart car had some major retouching.

This envelope was converted [printed + folded from scratch] so I could run my layout right up to the edges. The background wraps around the car like a custom photography stage, giving the car a grounding and a color splash of many hues.